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repertoires:

(diapo) (rep-list) (grd ecran)
   .. / delhi national museum
Nombre de fichiers dans le répertoire : 26
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Mohammed Abdur Rahman Chughtai - Hiraman Tota


Mohammed Abdur Rahman Chughtai from Lahore now in Pakistan, belonged to a family of traditional artists and architects, originally from Persia. He grew up with the language of the miniature tradition and this made him respond to the aesthetics of the Bengal School. Chughtai’s first lessons in art were from his uncle who was a traditional artist. He then joined the Mayo College of Art at Lahore and finally travelled to Kolkata (then Calcutta) to train under Abanindranath Tagore.

The painting ‘Hiraman Tota’ shows Chughtai’s understanding of the classical narrative tradition where the parrot, among other things, was a messenger between separated lovers. The treatment of the image with a seated woman in the foreground, the bird, architectural elements and the stylized vegetation in the background is strongly reminiscent of a miniature painting. Chughtai’s intense palette and handling of drapes, the lyricism of his lines mark this painting as a very distinctive work.
Mohammed Abdur Rahman Chughtai - Hiraman Tota (E)
Mohammed Abdur Rahman Chughtai from Lahore now in Pakistan, belonged to a family of traditional artists and architects, originally from Persia. He grew up with the language of the miniature tradition and this made him respond to the aesthet ...

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anonyme - Archery 1620 (detail)


anonyme - Archery 1620 (detail) (E)
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anonyme - Celebrations Of Krishna s Birth


Krishna, as is popularly believed, was born in the prison of Kamsa, the ruler of Mathura. Krishna was the eighth child of Devaki and Vasudeva. At the time of the marriage of Devaki, Kamsa’s sister, it was predicted that her eighth child would slay Kamsa and free the earth form his tyrannous rule. The panicky ruler imprisoned Devaki and Vasudeva soon after their marriage.

When Krishna, Devaki’s eighth child, was born, some divine miracle worked. The prison guard fell asleep in deep slumber and the prison gates fell open. Taking it as a Divine direction Vasudeva decided to shift the child across Yamuna, to Gokula to his friend Nanda’s house. Surprisingly, Nanda’s wife Yashoda too had given birth to a girl child. Vasudeva exchanged the children and brought back to prison Yashoda’s daughter.

In the morning the news of Yashoda bearing a son had spread all around in Braja.Nanda’s clansmen and people of Braja, the trumpets blowers and the drummers, and seasoned old nurses gathered at Nanda’s residence. Nanda, like a Mughal noble in Mughalia costume, is shown receiving all and accepting the auspicious grass, dhruv, as their good wishes distributing sweets to all. In the entire vegetation dhruva alone is such specie which never dies, never dries and never rises so high as it has ever to fall. Hence, dhruva symbolizes humble long life presented on the occasion of a child’s birth.

The painting has four compartments. Inside the house, Yashoda, with a scarf tied traditionally on her forehead and the new born Krishna in her lap, is receiving advice of the old nurse and dhruva from young ladies. In a corner a band of musicians is playing on musical instruments. It is a fine, colourful, balanced painting full of action and activity.
anonyme - Celebrations Of Krishna s Birth (E)
Krishna, as is popularly believed, was born in the prison of Kamsa, the ruler of Mathura. Krishna was the eighth child of Devaki and Vasudeva. At the time of the marriage of Devaki, Kamsa’s sister, it was predicted that her eighth chi ...

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anonyme - Celebrations Of Krishna s Birth (detail 1)


anonyme - Celebrations Of Krishna s Birth (detail 1) (E)
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anonyme - Celebrations Of Krishna s Birth (detail 2)


anonyme - Celebrations Of Krishna s Birth (detail 2) (E)
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anonyme - Celebrations Of Krishna s Birth (detail 3)


anonyme - Celebrations Of Krishna s Birth (detail 3) (E)
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anonyme - Chand Bibi Playing Polo (detail)


In this miniature, five princesses are shown playing polo against a dark green background. The princesses are mounted on beautifully decorated stallions of white, blue, dark brown and pale yellow colours. The colourful costumes and bejeweled head dresses of the princesses are painted with the utmost delicacy. The picture is a very good example of the early-18th century Golkonda style. In the foreground is a silvery-grey lotus lake with aquatic birds and in the background is the receding plains depicting rocks, huts and trees.
anonyme - Chand Bibi Playing Polo (detail) (E)
In this miniature, five princesses are shown playing polo against a dark green background. The princesses are mounted on beautifully decorated stallions of white, blue, dark brown and pale yellow colours. The colourful costumes and bejewele ...

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anonyme - Fainted Laila and Majnun-Based on the Khamsa of Persian poet Nizami


a great musician. One day while hunting he saw the beautiful Rupmati in the dense forest singing melodious songs. Instantly he fell in love with her. In order to win her hand in marriage he requested Than Singh, a proud Thakur of the area and father of Rupmati. A fierce battle raged between them and Baz Bahadur ultimately defeated Than Singh and rode away with Rupmati and made her his queen.
Their love for each other and their mutual interest in music made their lives and their union idyllic. The forest drenched in pristine moonlight was their haunt. The king and queen used to ride together in the forests of Mandu composing and innovating new ragas and singing through these magical nights of their love. But their love was not a “happily ever afterwards” tale. Baz-Bahadur was defeated by the invading Mughal army of Emperor Akbar under Adham Khan and Rupmati became a captive. Adham Khan offered to marry her but she refused and preferred death. The brave and loyal queen eluded her captor through a lethal dose of poison. The lady of the lotus, as poets and bard singers called her, lies buried in her mausoleum at Sarangpur near Mandu with her beloved husband Baz-Bahadur, together in their final rest as they were in their lives.


anonyme - Fainted Laila and Majnun-Based on the Khamsa of Persian poet Nizami (E)
a great musician. One day while hunting he saw the beautiful Rupmati in the dense forest singing melodious songs. Instantly he fell in love with her. In order to win her hand in marriage he requested Than Singh, a proud Thakur of the area a ...

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